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• An ability to be concise
• Improved research skills – very important
• Skilled writing, because you become clear about what you want to say and know you have no room to waffle
• An understanding of point of view and how to write from a character’s point of view
• Understanding of tenses and how to keep it consistent
• The skill of keeping a consistent point of view

Stories build nations, organisations and families. They shape our national character and reveal the heart of an organisation.

Stories surround us and those stories give our lives meaning.

Over the years, there has been a  lot of conjecture about whether the world will be taken over by machines; some have even suggested that the time will come when Artificial Intelligence runs the world and people will be redundant. This is the stuff of science fiction but there are those who believe that science fiction predicts the future. And there is evidence to support that.

When writers start out, they frequently try to write in ways that will show off their skill with words. They employ a number of techniques such as unexplained twists at the end, or introduce new features that don’t really add anything to the story. This often leads to complicated story lines and characters who are portrayed in one way but behave in the opposite way.

For example, a writer may describe a character as reserved and then several pages on have him or her jumping about at a party showing off his or her karaoke skills. Reserved? Hmmm, not really.

I know, as writers, we have heard this principle many times and in the early days I struggled to understand just what people meant by it. In time,I learnt to look out for long rambling sentences, saying the same in two or more different ways or using a word many times because I have just fallen in love with it.

I have come across several examples of this recently.

The writer of a book I have just finished clearly fell in love with the word ‘uxorious’. Sometimes writers use these words to show the rest of us how much she/he knows and how little we know.

No matter what genre you are writing in, you will have to create characters that populate your story. Creating characters might sound easy, give them a name and carry on with the story, right? Ever read a story where the character seems like a cardboard cut-out? Or seems erratic in his/her behaviour? The main reason this happens is because the character wasn’t created ahead of the story.

We have new writers joining us at The Story Mint and it is wonderful to see the variety of talent and approaches these writers take to their writing. Our role at The Story Mint is to encourage and guide with helpful feedback that comments on what they did well and how they can add value to what they have written.

Before we finally decide a piece of writing is completed, it is important to look at how well the tense and point of view support the story. This applies equally to fiction and non-fiction. Sometimes it helps to experiment and see how each affects the way the story comes across.

Have you ever thought how writing serial chapters is preparing you for that step toward the moment you decide you are going to write a novel? There are several Story Mint writers who have and are going through that experience now. Roseyn is the latest author to do so. Her book has just been launched, following on the heels of Suraya’s novel and mine. Past and present members Enos Russel, Mat Clarke, and Annette Connor are also published. There are two more members in the process of writing novels or non-fiction books. So how does writing serial chapters prepare us for the big step?

Since there has been a discussion regarding the genres of The Story Mint serials, I thought a brief overview might just be a good idea. This post will only focus on fiction. One thing that has to be remembered is that there is a fair overlap in genres. 

A writer has a lot to think about when writing a novel. The first thing to consider is how the reader will react to what we write. And the first thing to decide is whether or not what we write will find a reader. A writer without readers is like a horse without limbs…great body but no legs. If a writer has just one reader, all that changes and gives that writer’s work a purpose.